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‘Opinion’ Category

  1. Preface to an Open Letter

    December 13, 2011 by Barb

    1341441 49385820 640x480 Preface to an Open Letter

    Empty chair (image via sxc.hu)

    A variation on the the talking to an empty chair technique, the unsent letter is a means of communicating what was never, but always desired to be, said. The two differ in terms of witness. In employing the empty strategy method, the message bears witness by the therapist’s presence, whereas the letter has no witness excepting its author. This difference can better be articulated as a message that either lives in the (intimate) public sphere (empty chair) or in the private/internal sphere (letter). I label this public sphere as an intimate one, since therapy is in a limbo of sorts – not necessarily private because of the presence of an external witness but also not necessarily public, either, because therapy teases out what is not meant for the general public. So it would be fitting to label it as the “intimate private.”

    In the online sphere, the witness’ role and presence are further complicated. The empty chair technique finds itself lumped together with the unread letter. I make this statement on the premise that in order to work through the empty chair technique, there needs not only be a witness but also an empty space – owned by no one – for expression to be dumped upon. It is to say that the conversation, in some ways, is triangular, with the two base vertices focused on the apex. Verbal expression distinguishes the two in the offline sphere, whereas, this marker of voice is lost online. At best, we can determine the intention of which stream by tone of writing and stylistic/linguistic choices (i.e. “dear,” “sincerely,” etc.). In my following post, for instance, which technique is it that I am employing?

    I will, after all, be writing a letter, but it is no longer private. The empty canvas on which I write could be said to be the empty space or “chair” and because of the fact that readers function like witnesses, it is therefore the “empty chair technique.” But is it classifiable so? After all, I will make linguistic choices characteristic of a letter and I am creating my message in private before I share it. There is no co-occurring existence as I create my message, as there would be in the traditional offline empty chair technique. Again, we question the online sphere, which facilitates a “stop-go” action. The dynamic space, such as chat rooms, do not have that third empty space, so is it by default that I label this as an unread letter with the added quality of witness?

    There is no particular answer that I have in mind; what I have written is merely a thought. This questioning merely serves as my preface to an open letter that I wish to write.


  2. The Value of Twitter Chats

    December 9, 2011 by Barb

    aberthol256 The Value of Twitter Chats

    Aberthol, like Twitter chats, is sometimes forgotten about

    I often hear how Twitter can be used as a networking source by means of following important figures and taking note of their updates, and sometimes interacting with them to get on their radar. That method of networking is an incredibly passive one that may or may not lead to any results, depending on how popular the figure is and how often they look at their mentions to spot new talent or contacts. That said, I don’t find Twitter to be useless; in fact, there is a much more active approach that can be taken online to gain different insights and gain contacts. Though, it can be incredibly intensive (dedicating an hour to tracking a fast paced conversation), it certainly can pay off; yes, I’m talking about Twitter chats.

    The chats function by means of having the common note of a hashtag, which permits other users to track what is being said in the “conversation.” There is often at least one moderator that throws out a question every now and then, in which users flock to answer and offer insights. The beauty of it is that there are numerous mavens and experts that do in fact participate, along with the occasional corporate host. Sometimes, the exchange of ideas isn’t anything revolutionary, but rather, a reinforcement that what you may be doing is right. Then there are other times in which you can find yourself seeing things in a different light based on someone’s short 140 character comment.

    But most importantly, you can meet great people that you wouldn’t have otherwise had you stuck to your current circle of followers. Granted, I’m not saying that a Twitter chat will immediately create for you a connection, but it certainly does give some context to you as a person if that is where you “met.” Plus, if you become a regular of a chat, then people certainly become more familiar and are more apt to listen to you and follow you back.

    Unfortunately, the whole concept of a Twitter chat can be a bit stressful what with the multitude of flowing comments in any given minute during that one hour. Coming to chat every week isn’t a must, and neither is the “obligation” to stay the full hour. You can jump in at any time, pitch advice at any time, or simply listen throughout. The way to use this particular resource is up to you and the beauty in it is the fact that not only a collaboration of thoughts, but also dynamic. It is to say that nothing in particular is static about the conversation, there is seldom a particular veering towards one narrow direction.

    Below is a presentation that I co-presented on a couple of weeks ago discussing networking and features some great Twitter chats for students, along with a link to a grand schedule of chats for a variety of industries and age groups.

    Image via Ugly Bird Icons for Twitter


  3. Personal Absent Memories

    November 18, 2011 by Barb

    limitsOfMemoryLogo 1200 640x121 Personal Absent Memories

    The question of what happens when photography isn’t available to capture a particular moment, or rather, a memory, has been one that my class has been attempting to tackle in my course on photography and the archive. This notion of absent memory is one that particularly touches me, the reason being that I am able to create this personal connection, drawing on my own experiences, in trying to understand how we remember the unphotographed.

    All I have are reconstructions of my memory, that I have attempted to keep alive as best as I can; but even as hard as I have tried, there are always small details that I miss when going over what I constitute to have been true. The narration is in my own voice with what is said reading like a novel; I see the words but cannot hear the audio. The faces aren’t illustrated in their context, but rather, other photographs, such as staff headshots, take their place. I have wound up piecing together a memory with other memories so as to make up for what I cannot precisely recall.

    There is no verification, though. Where the photograph may present a point of contention – having us confront our countermemory, there is nothing for the unphotographed apart from the subjective image projected in the mind. The witness is memory itself, but it is trustworthy only to a certain point. When we treat our memory with new context, our postmemory (what we know later to be “true”) interferes and mangles our previous thoughts. Conserving the actual memory is almost an impossible feat – sights are blurred at certain parts, whether it be the small details or faces, and what we hear is subjected to the mixing of our internal record studio, changing the tone and frequency of voices. It is to say that nothing is precise, even if we like to think it to be so.

    In effect, absent memories have no bearing on which to ground them. They are abstract, clinging to whatever experience (to which one can relate) they can so as to cement themselves as a “memory,” and therefore not be forgotten.

    I write all of this with brevity and with the assumption that the terms are understood. One can uncover the definitions of “countermemory” and “postmemory” via Roland Barthes’ Camera Lucida and the notion of “absent memory” via Marita Sturken.

    Image via Collective Memory Project